The newly-opened Brandhorst Museum, over in the Schwabing area of Munich, houses the collection of a pair of modern art lovers who must have had quite a bit of wall space for their stuff. There are Warhols, enormous rooms full of Cy Twombly paintings, and the works of about a dozen other well-known artists. The building itself is interesting to look at — like an industrial size, see-through box of crayons standing upright on the Türkenstrasse.

Now, I have to add here that Cy Twombly is not my favorite artist. Say what you will, I just don’t get him. He had stuff hanging in the Philadelphia Museum of Art and I didn’t get that stuff either. But somebody thinks he’s a master, so, hey, whatever. The paintings in the Brandhorst are, at least, not annoying. They are, typically, huge.

I give Kounellis credit for one thing: description of his work includes the contents as such: “Paint pot, painted parrot, brush, books”. Not “paper, aluminum, wood, feathers”. Straight and to the point, this, he says, consists of a paint can on books, with a brush in it and a bird on top.
Lest I come off sounding like a real philistine, I did enjoy the Warhols, the John Chamberlain metal sculptures and a very interesting video installation that dealt with the topic of immigration with images from Lampedusa — (dancers simulating) Africans drowning, families at the beach, boat junkyards, etc. — on five separate screens in one room. Lampedusa, if you don’t know, is a tiny island south of Sicily, and often the first stop for the stream of African refugees trying to get to mainland Europe. They or their boats are often not strong enough for the trip, and Italian fishermen have been warned not to help them. Many drown.

If you find yourself in Munich and want to go, be aware that on Sundays admission is only €1. Treat yourself to the unusual gelateria across the street. The Milch+Mint is out of this world.